A Gathering of Dragons–the latest Farloft Chronicle!

Do you like dragons? Or gryphons? How about both? Prolific wordsmith Theresa Snyder has just published her latest adventure in the Farloft Chronicles series. It’s A Gathering of Dragons, and boy, are all those dragons needed. The medieval Kingdom of Kerth is about to be attacked by the Kingdom of Baldar–a kingdom which has two dragons, Kang and Gra, who happen to be the sons of the vile Eastern dragon, Thrax. Fortunately Kerth has their own dragons, a family led by the wise and noble Farloft, our hero. But Farloft ascertains he needs more help to stop the invaders and so, he goes on a global quest to recruit other dragons. He teams with Snow, a weather-casting gryphon, who helps keep Farloft’s dragon-sized ego in check. Together they come across creatures of various species and offbeat abilities. The adventure is packed with fun, friendship, tragedy, whimsy, and a touch of romance. Watch out for that greedy tunneling dragon!
Order your copy now!
Amazon: https://tinyurl.com/y2rlfb3p
Apple: https://tinyurl.com/yy5dnhjq
Barnes & Noble: https://tinyurl.com/y3y8j7gz
Kobo: https://tinyurl.com/y4fcskts
Smashwords: https://smashwords.com/books/view/104
For more about Farloft the Dragon, click here.
New Behind-the-Scenes Footage from THE EMPIRE STRIKES BACK
Today, December 15, 2020, Clayton Sandell of GOOD MORNING AMERICA presents fresh behind-the-scenes footage from THE EMPIRE STRIKES BACK:
EXCLUSIVE: I’m excited to share rare & never-seen footage, outtakes & bloopers from #StarWars “The Empire Strikes Back”! Amazing moments with Harrison & Carrie, plus @HamillHimself's "Tauntaun Dance". A gift to you from my favorite Lucasfilm elves. #ESB40 https://t.co/3Rfe1qyr2i
— Clayton Sandell (@Clayton_Sandell) December 15, 2020
Man Up a Pole: A Star Wars Story
From @Tokyosexwhale on Twitter:
So many Disney spin-offs. Really looking forward to, Man Up a Pole: A Star Wars Story pic.twitter.com/ecEHZQHvYQ
— Tokyo Sexwhale (@tokyosexwhale) December 11, 2020
Christine Van Zandt: Writing for Success
One of the benefits of being a member of the Society of Children’s Book Writers and Illustrators–or SCBWI, for short–is the opportunity to workshop with seasoned professionals. The organization has regional chapters throughout the world. The Los Angeles region has nine chapters that offer “LitMingles” that meet on a monthly basis. Each have their own presentations about the writing process, or a talk with an agent or editor, or manuscript reviews.

Author photo ©Marlena Van Zandt
Last Saturday, December 5, SCBWI-Pasadena–hosted by Ronna Mandel–held a workshop with a special guest, Christine Van Zandt, who provided feedback on query letters.
Ms. Van Zandt is a freelance writer, literary editor, and owner of Write for Success Editing Services, in which she finds ways to improve one’s manuscript and/or query letter. When she offers to “take your manuscript to the next level,” she certainly did with my query letter. Her insights are razor-sharp. In my case, she also “went the extra mile” in providing some market information. Click on this link for more details.
Take a peek at her upcoming book, A Brief History of Underpants, here.
Massachusetts Thanksgiving Proclamation for November 26, 1787
It being the Duty of a People who believe in the universal Providence of GOD, to express their grateful Sense of the divine Goodness, not only by private, but public Acts of Devotion and Praise: And as the beneficent Parent of the Universe hath, in the course of the current Year, been pleased to bestow upon this People many great and manifold Blessings which demand their thankful Acknowledgements:
We have therefore thought fit, with the Advice of the Council, and at the Desire of the House of Representatives, to appoint, and do hereby appoint THURSDAY the 26th Day of November next, to be observed throughout this State as a Day of Public THANKSGIVING, PRAYER and PRAISE. Hereby calling upon Ministers and People of every Denomination then to convene, and with sincere Devotion offer Praise to the all Gracious Author of every Good, for the various Benefits conferred upon this State in particular, and the United States in general; that He hath supported the Inhabitants thereof, under the Distresses of the present cruel War; that He hath raised us up benevolent and powerful Assistance in the Times of our Distress, and hath disposed his Most Christian Majesty the King of France to enter into the most open and generous Alliance with the United States of America; that there hath been so great a Measure of Health enjoyed through the Land; that He hath caused the Earth to yield her Increase so plentifully; that we are supplied with the Necessities and Comforts of Life; and that not only our Civil but Religious Liberties are yet continued unto us; And that together with their cordial Acknowledgements they may join the penitent Confession of their Sins, and implore the Continuance of the Divine Protection over, and the Blessing of Heaven upon this People; especially that it would please Him graciously to afford his Blessing upon the Government of this State, and succeed the Public Council of the Continent; that He would inspire our Commanders, and those of our Allies, both by Sea and Land, and all under their Commend with Wisdom, Firmness and victorious Intrepidity; that our Enemies may be defeated in all their hostile Designs, and driven from our Land; that the Blessings of Peace may soon succeed the Horrors of War; that it may please Him to protect the Trade and Manufactures of the People, and the Labour of the Husbandman; that He would smile upon our Schools and Seminaries of Education; and especially that He would protect and promote the Protestant Religion in the World, pour out His Spirit upon the Churches of our Divine Redeemer, and spread His Glorious Kingdom through the Earth.
And all Servile Labour is hereby forbidden on the said Day.
Given at the Council-Chamber in Boston, this Twenty Seventh Day of October, in the Year of our Lord, One Thousand Seven Hundred and Seventy-Eight.
GOD Save the UNITED STATES of AMERICA!
Ladies and Gentlemen, Adrian Hough

On October 16, the Viu Crew of Vancouver Island University Department of Creative Writing & Journalism announced on Twitter that their department would host a Zoom interview with TV/film/theater actor Adrian Hough. The announcement caught my eye when Mr. Hough relayed it on Twitter the following day.
Frank Moher, the professor, invited members of the public to attend, and so I did. His CREW 241 session was held October 19 at 6:00 p.m. I had earlier interviewed Mr. Hough for an upcoming volume of The Animated Voice; this session gave me the opportunity to learn more about his career.
As listed by Professor Moher, the topics included: Preparing to perform a role, finding the unspoken in a script, dealing with sudden rewrites on set, the differences between acting for film, TV, and theatre, his recent work for streaming services like Netflix and Apple TV, and creating the role of Haytham Kenway in the video game Assassins Creed.
Professor Moher uploaded the session on Facebook on November 14. Enjoy!
Film, TV, theatre, and video game actor Adrian Hough was our guest professional in the CREW 241 scriptwriting workshop. Discussed: Preparing to perform a role, finding the unspoken in a script, dealing with sudden rewrites on set, the differences between acting for film, TV, and theatre, his recent work for streaming services like Netflix and Apple TV, and creating the role of Haytham Kenway in the video game "Assassins Creed". Check out Adrian's imdb page at [http://www.imdb.com/name/nm0396406/](http://www.imdb.com/name/nm0396406/?fbclid=IwAR0-UZ7GON81oD2BGx23ZXpdC6W6JFs9bIOMhMsMlykE-eMgjLua8QZxOXA)
Posted by Frank Moher on Saturday, November 14, 2020
Adrian Hough’s demo reel, from 2015:
Adrian Hough as Jean Grey’s father, John, in X-Men: The Last Stand:
Adrian Hough in Assassin’s Creed 3, playing Haytham Kenway, a role in which he was nominated for a BAFTA Award:
One of Adrian Hough’s finest performances comes from voicing Sol Regem, the sun dragon from The Dragon Prince, from the first episode of the third season.

Sol Regem in action. Listen to the voice. Eloquent. Majestic. Bitter. Arrogant. Resonating with immensity. This is what acting is all about:
The Dragon Prince Season 3 Animation Show Reel – Nasus Lee from Nasus Lee on Vimeo.
On March 3, 2021, Hough performed a reading from Shakespeare on Twitter. Enjoy.
Sometimes I mess around with Shakespeare- from "the Scottish play" #shareyourshakespeare pic.twitter.com/sXZb6At63p
— Adrian Hough (@Adey800) March 3, 2021
Artoo-Detoo Fries Himself!

When Star Wars exploded onto cinema screens in 1977, I had the opportunity to see it in both 70mm and 35mm versions in north Texas. In Dallas, the film played at the NorthPark Cinema II, where it opened on Friday, May 27 (though, it wouldn’t be until December 23 that the 70mm version would play there, as reported by the Dallas Times Herald that day. See Michael Coate for a list of 70mm screenings.). I traveled some 60 miles to see it on the second day, Saturday. Standing in line, a couple talked about why they had come to see it. “Because Time magazine called it the Year’s Best Movie,” one said.
The film opened in Sherman, my home town, at the Sher-Den Mall Twin on July 15, in 35mm. All told, I watched Star Wars a total of 12 times that year.
In some screenings I noticed the following scene, as described by Alan Dean Foster in his adaptation of Star Wars: From the Adventures of Luke Skywalker, published the previous November:
As soon as the troops had passed, Artoo finished removing a socket cover and hurriedly shoved his sensor arm into the opening. Lights commenced a wild flashing on his face and smoke started issuing from several seams in the small ‘droid before a frantic Threepio could pull the arm free.
Immediately the smoke vanished, the undisciplined blinking faded to normalcy. Artoo emitted a few wilted beeps, successfully giving the impression of a human who had expected a glass of mild wine and instead unwittingly downed several gulps of something 180 proof.
“Well, next time watch where you stick your sensors,” Threepio chastised his companion. “You could have fried your insides.” He eyed the socket. “That’s a power outlet, stupid, not an information terminal.”
Artoo whistled a mournful apology. Together they hunted for the proper outlet.
In the next scene, Luke, Han, Leia and Chewbacca arrive at a window overlooking the hangar. Luke turns on the comlink, “See-Threepio, do you copy?” The story continues from there.
The audience loved it.
But, for some reason, the Artoo-fries-himself scene was missing in other screenings and ultimately, in subsequent film versions. This, I thought, was odd. Why was the scene removed?
Other fans noted the scene’s removal. Alderaan was a letterzine for Star Wars fans, published in Toledo, Ohio. The deleted scene was noted by Kathi Lynn Higley of Mystic, CT (June 29, 1978) in Alderaan #3, September 15, 1978, page 8,

and by Chris Callahan of W. Hyattsville, MD in Alderaan #7, February 10, 1980, pp. 4-6,


and in Alderaan #10, October 1, 1980, pp. 5-6.

For you researchers, the University of Iowa has fanzine archives, among them the Mariellen (Ming) Wathne Fanzine Archives Collection, which includes Alderaan and many other Star Wars ‘zines.
In November 1979, Ballantine Books published The Art of Star Wars, edited by Carol Wikarska Titelman, featuring the screenplay by George Lucas. The Artoo-fries-himself scene was missing from the text. Why? Presumably because Mr. Lucas wanted it that way. The screenplay was edited the way the film was edited.
The Third Draft script contains the scene. So does Fourth Draft, used by the cast.
On Twitter, Peter Mayhew started posting pages from his script,
https://mobile.twitter.com/thewookieeroars/status/700102566688862211
and continuing here:
https://mobile.twitter.com/search?q=from%3ATheWookieeRoars%20chewscript&src=typd
Some pages are from the Fourth Draft (January 1, 1976). Some are from the Revised Fourth Draft, March 15, 1976, and some are revisions dated April 19, 1976, while the film was in production.
The Artoo-fries-himself scene is on a page dated January 1, 1976, which Mayhew posted April 8, 2016, here:

Daniel Wallace talked about Artoo frying himself being originally conceived for Star Wars, and written in the novel, in Star Wars Insider #49, May/June 2000, “Lost and Found Concepts,” p. 65.
On August 29, 2017, I interviewed Gary Kurtz for The Star Wars Historical Sourcebook series. (His comments can be read in Volume 1 and successive volumes.) I seized the opportunity to find out why the Artoo-fries-himself scene was discarded in the original Star Wars, and later restaged for The Empire Strikes Back.
Gary’s key comment was, “I think it was just cut for time and also the energy of the moment that we didn’t want anybody to think that Artoo was dead or in any way incapacitated at that moment, but I’m pretty sure that’s all it was because there was a lot of quick editing right at the very end and I think there were a couple of scenes that were slightly different in the different versions because of how long the sound mixes took. That was the reason that one was removed at the time and it was a good gag, so we used it in Empire.”
This is audio from our discussion:
Audio © 2020 W.R. Miller. Do not upload, download, reuse or repost.
So now we know why the gag was removed from the original Star Wars.
I am honored that Gary endorsed The Star Wars Historical Sourcebook.



















